In the old secondary ports of Montevideo and Rostock, a paradigmatic characteristic manifests itself: the morphologies of these beautiful centuries-old cities with discreet, elegant architecture and steeped in history; new global ports are assembled on their edges in the Warnow and De La Plata rivers, mechanical monsters standardized by world freight traffic come in scene. This radical encounter between the global and the local appears materialized as a collision. Territorial issue that gives physical clues to the contradictions we inhabit as a new post-industrial and hyper-mercantile era. In 2021 we will place ourselves – understanding post-pandemic care as the new skin of the body – on the uncertain edges.
The project was part of Radio Total. Festival of Visual Arts On Air, 4 – 12 September, 2021 in Gdansk, Poland and on air at 91,3 UKF.
The project CAUS is focused on the analysis of urban sound, regarding the information it contains about the city’s identity in past, present and future as well as in the social, environmental and global context. The analysis is carried out by a group of experts who will conduct investigations, theoretical and practical research and experiments.
Some of the observations are documented here >>>
We are pleased to invite you to the opening of Sonic Aggregator, a collaborative project of Soundtrackcity and Tuned City about sonic placemaking hosted by ABA Air Berlin Alexanderplatz at Haus der Statistik in Berlin – Friday, September 17 – 7pm.
Sonic Aggregator has been long in the making and postponed several times due to covid measures, but finally this project is about to happen! We look forward to meet you at the official opening on 17 September or during one of the events in the week thereafter. Have a look at the programme and make reservations!
Almost 100 years ago the artist and explorer Rockwell Kent crossed the Baldivia Chain between Seno Almirantazgo and the Beagle Channel via the Lapataia Valley. His documentation* of the landscape and climate is one of the first descriptions of this passage and serves as an important historic reference. Especially interesting in our context is his perspective as an artist becoming an explorer – sensing, registering, translating and documenting in an unconventional way.
We are working on a new long term artistic research and residency project in the southernmost inhabited region of the planet – Chilean Antarctica, Magallanes, Tierra del Fuego and Última Esperanza.
More info: http://terra-ignota.net
6 young European sound artists will go for one month on project- and research resindcies to Theran/Iran, Dakar/Senegal and Valparaiso/Chile (2 to each place) to work there together as a group with 2 young local artists and a local mentor. These groups will explore the cities from the position of listening. How do cities sound today? How different is listening in other cultures? In the focus of the project lays the artistic examination of urban phenomena from the sonic perspective, their interpretation and transformation with multiple artistic methods.
Peter Cusack, Udo Noll, Martyna Poznanska, katrinem and Sam Auinger have created 5 different soundwalks in the Berlin district of Pankow to take place in April, May and June 2019. You are invited to join the artists on the walks and explore Pankow’s unique sonic worlds. What is heard will be discussed en route and afterwards. Some walks are intended for small groups so will be repeated on several occasions.
A residency project in Valparaiso/Chile, Dakar/Senegal, Tehran/Iran and Bonn/Germany by bonn hoeren in the frame of Beethoven’s 250th birthday year
To open up the world for one’s self or to open up one’s self to the world – both processes commence with listening. Our perception of the world “out there” begins with listening, long before we are born. The act of listening is the foundation for every type of communication and social interaction. Both of the latter have to be learned.
In stereophony, as natural a reproduction of reality as possible is created through the spatial shifting of two sound sources. sonotopia – the sonic explorers interprets this shift in perspective metaphorically.
6 young sound artist (former sonotopia prize winners) will undertake a project and research residency in one of the partner cities in 2019. In each city two local artist and a local mentor will join. In 2020 all groups will come together in Bonn, mirroring the process and work towards a final exhibition.
More info soon – stay tuned!
Sound, listening and sonic practices across sites, borders and cultures
Workshop and Seminar at the American University of Beirut, in collaboration with the Faculty of Fine Art, Music and Design at the University of Bergen (Bergen Academy of Art and Design), Norway; Tuned City, Berlin; Neighborhood Initiatives (AUB); and The Center for Arts and Humanities (CAH).
presenting Tuned City Messene at this conference at the OCC in Athens, 19-21 Oct. 2018
Program info: http://www.sgt.gr/eng/SPG2172/
You can see the program book here >>>
Tuned City’s previous milestones Berlin 2008, Tallinn 2011, and Brussels 2013 used to take place in central European metropolises. This year, Tuned City visits Ancient Messene June 1st – 3rd and seeks out the exemplary ‘ideal city’, the ancient Greek polis. See details >>>
Bavarian Goasslschnalzer (traditional whip crackers), large moving mirrors, massive amounts of water – preview of Tuned City 2018 with a new commissioned work by Mario de Vega in the famous Wasserspeicher Berlin (former historic cisterns). Chapter 2 will premiere in Ancient Messene, June 1st – 3rd 2018. Continue Reading “Mario de Vega – Spiegelung”
May 31st – June 3rd 2018 – Tuned City, Ancient Messene.
The urban landscape of Messene was constructed in the Early Hellenistic era, according to certain architectural and town-planning principles of spatial organization, which reflected the political and social values of the period applied to the demands of this programmatic city founded by the Thebans in 369 B.C. on the south slopes of mount Ithome. The city was famous for its mighty fortification walls, the monumentality of its public buildings and the Hippodamian town-plan. Continue Reading “SAVE THE DATE! – TUNED CITY – LISTENING POLITICS”
The book documenting Peter Cusack’s Berlin research is finally out. In the frame of his residency at DAAD Artists-in-Berlin Program in 2012 we developed and produced a series of events together which extended to this little publication.
Berlin Sonic Places: A Brief Guide is an appreciation of, and an enquiry into, Berlin’s sounds and soundscapes in all their moods of noise and quiet. It asks why does Berlin sound the way it does and what makes one neighbourhood sonically different from another. It pays attention to the aural character of particular buildings, streets, squares and green spaces, listens to the city’s public transport system and celebrates the importance of nature to Berlin’s acoustic environment. Briefly it attempts to find out what Berliners think and feel about the sounds of their city and how Berlin’s soundscape compares with those of other European capitals? Berlin Sonic Places: A Brief Guide raises the question, “How do we hear the cities in which we live?” and offers some thoughts and responses from Berlin’s point of ear.
With contributions by: Pascal Amphoux, Peter Cusack, Max Dixon, Anna Fritz, Eva Kietzmann, Petra Kübert, Valeria Merlini, Udo Noll, Martyna Poznanska and Fritz Schlüter.
Edited by DAAD Artists-in-Berlin Program
In English, 96 pp., photos, audio files online, soft cover with sound walk map,
Pb., € 12.–, 978-3-95593-083-7
We are very excited to announce a new collaboration with the festival TSONAMI in Valparaiso/Chile.
Thanks to the help of the Goethe-Institut international co-production fund we will be able to start an extensive research project, connecting Tsonami/Valparaiso (2017) and Tuned City/Messene/Greece (2018) with a residency exchange program.
The preparations for the next edition of TUNED CITY at Ancient Messene started. For the first time the place will be not an urban central European city, but actually the exemplary „ideal city“ in the sense of the Greek polis. You can get an impression of the site in this extended photo documentation >>>
INTERFACES is an international, interdisciplinary project focusing on bringing new music to an extensive range of new audiences. It involves a partnership of organisations from a wide range of European countries having a broad spectrum of experience in fields such as performing, multi-media exhibitions, new media, acoustic and electroacoustic research and education. This trans-sectoral approach is the key to opening up new perspectives on both the creative dimension of the project and the central objective, which is to engage new audiences of all ages and those potential audience segments which, for a variety of demographic or cultural reasons have not yet been exposed to the music of our time.
The Interfaces network includes the following partner institutions: Onassis Cultural Centre (GREECE), De Montfort University (UK), European University Cyprus, IRCAM (FRANCE), ZKM | Center for Art and Media (GERMANY), CREMAC (Romania), Q-02 (BELGIUM), ICTUS (BELGIUM), Klangforum Wien (Austria), the affiliate partners Centre Iannis Xenakis (FRANCE), Theatrum Mundi (UK), Tuned City (GERMANY) and Medea Electronique (GREECE) and was made possible thanks to the support of the Creative Europe Programme of the European Union.
Tuned City will take place in the frame of Interfaces in June 2018.