{"id":3217,"date":"2013-01-22T21:18:13","date_gmt":"2013-01-22T20:18:13","guid":{"rendered":"http:\/\/www.tunedcity.net\/?page_id=3217"},"modified":"2013-06-18T13:50:20","modified_gmt":"2013-06-18T11:50:20","slug":"lang_detuned-city-brussel-2013lang_de-lang_entuned-city-brussels-2013lang_en","status":"publish","type":"page","link":"https:\/\/www.tunedcity.net\/?page_id=3217","title":{"rendered":"Tuned City Brussels 2013"},"content":{"rendered":"
\"\"<\/p>\n

<\/em> <\/em> <\/em> <\/em> <\/em>\u201cJust as noise is what we make of certain sounds. the meanings we assign to noise are no less consequential than the meanings we assign to other sounds. Noise may be unwanted or incomprehensible sound; it is never insignificant sound.\u201d Hillel Schwartz in \u201cMaking Noise\u201d, Zone Books 2012<\/em><\/p>\n

<\/em> <\/em>\u201cObviously we need to be able to rest from sound just as we do from visual stimulation, we need aural as well as visual privacy, but silencing our public environment is the acoustic equivalent of painting it black. Certainly just as our eyes are for seeing, our ears are for hearing.\u201d \u00a0Max Neuhaus \u201cSound Design\u201d In Zeitgleich: the Symposium, the Seminar, the Exhibition. Vienna: Triton, 1994.<\/em><\/p>\n<\/div>\n


\n<\/em><\/div>\n

<\/p>\n

<\/p>\n

Brussels proves to be a very dense multi-layered city characterised by abrupt shifts in urban structure, architecture and the social environment. This patchwork provides an urban modality that resists a general grasp of the city while providing room for individualised appropriations. The abundance of juxtapositions in the every-day surroundings create a productive resonance with its passersby in a manner where the city manifests as a vibrant, open-ended, multiplicity. How can one grasp the nature of these relational oscillations and what modes of resonance give shape to the particular Brussels vibe?
\nOver the course of the four day festival, Tuned City Brussels probes such urban frequencies through concerts, walks, installations and interventions in situ while at the same time focusing the theoretical framework around three core notions: ‘Relational Noise’, ‘Situational Listening’ and ‘Operative Ambience’. A different theme will be explored each day in a corresponding ‘zone’ in the city, towards which the festival relocates.
\nThe project has had a long preparation phase in exchange with locals and organisations (see PRE-EVENTS<\/a>)<\/span>. Several lectures, artistic presentations, residencies and workshops have been leading up to this four day festival. Particularly important was the collaboration with the art schools\u00a0 Sint Lucas Architectuur<\/a>,\u00a0Erasmus Hogeschool RITS\/Radio<\/a>, Sint Lukas Transmedia<\/a>, a.pass<\/a> and <\/span>La Cambre <\/a>(ENSAV) <\/span>option Espace Urbain<\/span>.<\/p>\n

The first Tuned City project was realised in Berlin in 2008, with subsequent editions in Tallinn and N\u00fcrnberg. For the current edition Q-O2<\/a> workspace for experimental music and sound art has invited Tuned City to collaboratively research the context of Brussels.<\/p>\n


\n[lang_nl]<\/p>\n

Brussel is een gelaagde stad die opvalt door abrupte verschuivingen in de stedelijke structuur, de architectuur en het sociale weefsel. Dit lappendeken maakt het soms moeilijk om impressies van de stad onder \u00e9\u00e9n noemer te vangen. Ondanks dit karakter – of net daardoor \u2013 biedt Brussel ruimte om de stad op een persoonlijke manier eigen te maken. Alerte voorbijgangers merken dan ook beslist haar uitbundige alledaagse omgeving als een rijke bron van leven, openheid en afwisseling met een dito geluid op. Te weten komen hoe men de aard van dit klankbeeld kan vatten en uit welke componenten het bestaat vormt de uitdaging voor Tuned City Brussels.
\nIn de loop van een vierdaags festival onderzoekt Tuned City Brussels via concerten, wandelingen, installaties en locatiegebonden interventies in de artistieke praktijk hoe Brussel klinkt. Een bijpassend theoretisch kader ontvouwt zich langs de drie kernbegrippen ‘Relational Noise’, ‘Situational Listening’ en ‘Operative Ambience’. Elke dag wordt een ander thema verkend in een corresponderende \u2018zone\u2019 in de stad waarnaar het festival zich verplaatst.
\nHet project kende een lange voorbereidingsfase boordevol interactie met lokale bewoners en organisaties. Verschillende lezingen, artistieke presentaties, residenties en workshops gingen aan het initiatief vooraf. In dit kader was de samenwerking met de kunsthogescholen Sint Lucas Architectuur<\/a>,\u00a0Erasmus Hogeschool RITS\/Radio<\/a>, Sint Lukas Transmedia<\/a>, a.pass<\/a> and <\/span>La Cambre <\/a>\/Espace Urbain bijzonder belangrijk.
\nHet eerste Tuned City project werd gerealiseerd in Berlijn in 2008. Daarna volgden edities in Tallinn en N\u00fcrnberg. Voor de huidige editie nodigde Q-O2<\/a>, werkplaats voor experimentele muziek en klankkunst, Tuned City uit om de context van Brussel gezamenlijk te onderzoeken.<\/p>\n

[\/lang_nl]
\n[lang_fr]<\/p>\n

Bruxelles s’av\u00e8re \u00eatre une ville tr\u00e8s dense et aux couches multiples, qui se caract\u00e9rise par des changements abrupts dans la structure urbaine, l’architecture et l’environnement social. Ce patchwork offre une modalit\u00e9 urbaine qui r\u00e9siste aux impressions g\u00e9n\u00e9ralisantes de la ville tout en fournissant de l’espace pour des appropriations individualis\u00e9es. L’abondance des juxtapositions dans les environnements de tous les jours cr\u00e9e une r\u00e9sonance productive avec le passant de sorte que la ville se manifeste comme une multiplicit\u00e9 vibrante et sans fin. Comment saisir la nature de ces oscillations relationnelles et quels modes de r\u00e9sonance fa\u00e7onnent la vibration particuli\u00e8re de Bruxelles?
\nAu fil des quatre journ\u00e9es du festival, Tuned City Brussels sondera de telles fr\u00e9quences citadines au travers de concerts, de promenades, d’installations et d’interventions sur place tout en s’int\u00e9ressant simultan\u00e9ment au cadre th\u00e9orique qui s’articule autour de trois notions de base: \u201cle Bruit Relationnel\u201d, \u201cl’\u00c9coute Situationnelle\u201d et \u201cl’Ambiance Op\u00e9rative\u201d. Un th\u00e8me diff\u00e9rent sera explor\u00e9 chaque jour dans une ‘zone’ correspondante de la ville, vers laquelle le festival se d\u00e9placera.
\nLe projet a connu une longue phase de pr\u00e9paration en interaction avec des riverains et des organisations locales. Bon nombre de lectures, de pr\u00e9sentations artistiques, de s\u00e9jours sur place et d’ateliers de travail ont pr\u00e9c\u00e9d\u00e9 ce festival de quatre jours. Notons tout particuli\u00e8rement la collaboration avec les \u00e9coles artistiques Sint Lucas Architectuur<\/a>,\u00a0Erasmus Hogeschool RITS\/Radio<\/a>, Sint Lukas Transmedia<\/a>, a.pass<\/a> et <\/span>La Cambre <\/a>\/Espace Urbain.<\/p>\n

Le premier projet Tuned City fut r\u00e9alis\u00e9 \u00e0 Berlin en 2008, avec des \u00e9ditions ult\u00e9rieures \u00e0 Tallinn et N\u00fcrnberg. Pour la pr\u00e9sente \u00e9dition, Q-O2<\/a> laboratoire de musique exp\u00e9rimentale et d\u2019art sonore a invit\u00e9 Tuned City pour \u00e9tudier conjointement le contexte de Bruxelles.<\/p>\n

[\/lang_fr]<\/p>\n

tuned city brussels is made possible with the support of:<\/em>
\nVlaamse Minister bevoegd voor Brussel
\nVlaamse Gemeenschapscommissie
\nGoethe-Institut Brussels
\nStad Brussel | Ville de Bruxelles
\nDienst cultuur van Sint-Gillis | Service de la Culture de Saint-Gilles
\nPolish Institute | Cultural Service of the Embassy
\nof the Republic of Poland<\/p>\n

tuned city brussels is realised in cooperation with<\/em>
\nSint-Lucas Architectuur
\nErasmus Hogeschool Rits | Radio
\nSint-Lukas | Transmedia
\nLa Cambre, ensav | Espace Urbain
\na.pass
\nCitizenne
\nBessst (Brussel, erfgoed en stilte)
\nBna-bbot
\nKaaitheater
\nBeursschouwburg
\nAteliers Claus
\nWiels
\nStuk<\/p>\n

\"\"<\/p>","protected":false},"excerpt":{"rendered":"

\u201cJust as noise is what we make of certain sounds. the meanings we assign to noise are no less consequential than the meanings we assign to other sounds. Noise may be unwanted or incomprehensible sound; it is never insignificant sound.\u201d Hillel Schwartz in \u201cMaking Noise\u201d, Zone Books 2012 \u201cObviously we need to be able to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3217","page","type-page","status-publish","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/pages\/3217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3217"}],"version-history":[{"count":13,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/pages\/3217\/revisions"}],"predecessor-version":[{"id":3225,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=\/wp\/v2\/pages\/3217\/revisions\/3225"}],"wp:attachment":[{"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tunedcity.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}