projects

Expeditions in Specific Territory Rostock-Montevideo

In the old secondary ports of Montevideo and Rostock, a paradigmatic characteristic manifests itself: the morphologies of these beautiful centuries-old cities with discreet, elegant architecture and steeped in history; new global ports are assembled on their edges in the Warnow and De La Plata rivers, mechanical monsters standardized by world freight traffic come in scene. This radical encounter between the global and the local appears materialized as a collision. Territorial issue that gives physical clues to the contradictions we inhabit as a new post-industrial and hyper-mercantile era. In 2021 we will place ourselves – understanding post-pandemic care as the new skin of the body – on the uncertain edges.

Continue Reading „Expeditions in Specific Territory Rostock-Montevideo“

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Terra Ignota – Research Trip III

Almost 100 years ago the artist and explorer Rockwell Kent crossed the Baldivia Chain between Seno Almirantazgo and the Beagle Channel via the Lapataia Valley. His documentation* of the landscape and climate is one of the first descriptions of this passage and serves as an important historic reference. Especially interesting in our context is his perspective as an artist becoming an explorer – sensing, registering, translating and documenting in an unconventional way.

Continue Reading „Terra Ignota – Research Trip III“

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Terra Ignota

We are working on a new long term artistic research and residency project in the southernmost inhabited region of the planet – Chilean Antarctica, Magallanes, Tierra del Fuego and Última Esperanza.
More info: http://terra-ignota.net

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sonic explorers

6 junge Klangkünstler werden zu Projekt- und Forschungsresidenzen nach Valparaiso/Chile, Dakar/Senegal und Teheran/Iran reisen, um dort gemeinsam mit zwei jungen Künstlern des jeweiligen Landes zu arbeiten. Dabei werden sie von lokalen Mentoren und Partnerorganisationen betreut. Im Fokus des Projektes steht daher die künstlerische Untersuchung lokal unterschiedlicher urbaner Phänomene aus klanglicher Perspektive, deren Interpretation und Transformation mit verschiedensten künstlerischen Mitteln.

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Pankow soundwalks

Peter Cusack, Udo Noll, Martyna Poznanska, katrinem and Sam Auinger have created 5 different soundwalks in the Berlin district of Pankow to take place in April, May and June 2019. You are invited to join the artists on the walks and explore Pankow’s unique sonic worlds. What is heard will be discussed en route and afterwards. Some walks are intended for small groups so will be repeated on several occasions.

https://soundwalkingpankow.tumblr.com

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sonotopia – the sonic explorers

A residency project in Valparaiso/Chile, Dakar/Senegal, Tehran/Iran and Bonn/Germany by bonn hoeren in the frame of Beethoven’s 250th birthday year 

To open up the world for one’s self or to open up one’s self to the world – both processes commence with listening. Our perception of the world “out there” begins with listening, long before we are born. The act of listening is the foundation for every type of communication and social interaction. Both of the latter have to be learned.
In stereophony, as natural a reproduction of reality as possible is created through the spatial shifting of two sound sources. sonotopia – the sonic explorers interprets this shift in perspective metaphorically.

6 young sound artist (former sonotopia prize winners) will undertake a project and research residency in one of the partner cities in 2019. In each city two local artist and a local mentor will join. In 2020 all groups will come together in Bonn, mirroring the process and work towards a final exhibition.

More info soon – stay tuned!

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TC Messene 2018 – learn more

Tuned City’s previous milestones Berlin 2008, Tallinn 2011, and Brussels 2013 used to take place in central European metropolises. This year, Tuned City visits Ancient Messene June 1st – 3rd and seeks out the exemplary ‘ideal city’, the ancient Greek polis. See details >>>

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SAVE THE DATE! – TUNED CITY – LISTENING POLITICS

May 31st – June 3rd 2018 – Tuned City, Ancient Messene.
The urban landscape of Messene was constructed in the Early Hellenistic era, according to certain architectural and town-planning principles of spatial organization, which reflected the political and social values of the period applied to the demands of this programmatic city founded by the Thebans in 369 B.C. on the south slopes of mount Ithome. The city was famous for its mighty fortification walls, the monumentality of its public buildings and the Hippodamian town-plan. Continue Reading „SAVE THE DATE! – TUNED CITY – LISTENING POLITICS“

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Berlin Sonic Places finally out!

The book documenting Peter Cusack’s Berlin research is finally out. In the frame of his residency at DAAD Artists-in-Berlin Program in 2012 we developed and produced a series of events together which extended to this little publication.

Berlin Sonic Places: A Brief Guide is an appreciation of, and an enquiry into, Berlin’s sounds and soundscapes in all their moods of noise and quiet. It asks why does Berlin sound the way it does and what makes one neighbourhood sonically different from another. It pays attention to the aural character of particular buildings, streets, squares and green spaces, listens to the city’s public transport system and celebrates the importance of nature to Berlin’s acoustic environment. Briefly it attempts to find out what Berliners think and feel about the sounds of their city and how Berlin’s soundscape compares with those of other European capitals? Berlin Sonic Places: A Brief Guide raises the question, „How do we hear the cities in which we live?“ and offers some thoughts and responses from Berlin’s point of ear.

With contributions by: Pascal Amphoux, Peter Cusack, Max Dixon, Anna Fritz, Eva Kietzmann, Petra Kübert, Valeria Merlini, Udo Noll, Martyna Poznanska and Fritz Schlüter.
Edited by DAAD Artists-in-Berlin Program

In English, 96 pp., photos, audio files online, soft cover with sound walk map,
Pb., € 12.–, 978-3-95593-083-7

http://www.wolke-verlag.de/cusack.html

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COLLABORATION TSONAMI + TUNED CITY

We are very excited to announce a new collaboration with the festival TSONAMI in Valparaiso/Chile.
Thanks to the help of the Goethe-Institut international co-production fund we will be able to start an extensive research project, connecting Tsonami/Valparaiso (2017) and Tuned City/Messene/Greece (2018) with a residency exchange program.

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interfaces website online

INTERFACES is an international, interdisciplinary project focusing on bringing new music to an extensive range of new audiences. It involves a partnership of organisations from a wide range of European countries having a broad spectrum of experience in fields such as performing, multi-media exhibitions, new media, acoustic and electroacoustic research and education. This trans-sectoral approach is the key to opening up new perspectives on both the creative dimension of the project and the central objective, which is to engage new audiences of all ages and those potential audience segments which, for a variety of demographic or cultural reasons have not yet been exposed to the music of our time.
The Interfaces network includes the following partner institutions: Onassis Cultural Centre (GREECE), De Montfort University (UK), European University Cyprus, IRCAM (FRANCE), ZKM | Center for Art and Media (GERMANY), CREMAC (Romania), Q-02 (BELGIUM), ICTUS (BELGIUM), Klangforum Wien (Austria), the affiliate partners Centre Iannis Xenakis (FRANCE), Theatrum Mundi (UK), Tuned City (GERMANY) and Medea Electronique (GREECE) and was made possible thanks to the support of the Creative Europe Programme of the European Union.
Tuned City will take place in the frame of Interfaces in May 2018.

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Site and Sound exhibition in Hong Kong

Sites and Sound + Urban Sound Art
Sound Art in Public Spaces
08.10. – 03.11.2016 – Goethe-Institut Hong Kong – 14/F HK Arts Centre
2, Harbour Road, Wanchai – Hong Kong

The exhibition »Sites and Sounds« documents sound installations in public spaces in an exemplary manner. The works presented here not only have in common the fact that they have been permanently producing sound for many years: they are also paradigmatic for a type of artistic practice in which the central subject of creative postulation is the confrontation with a concrete location. The presentation includes works by Max Neuhaus in New York City (USA), Bruce Odland + Sam Auinger in North Adams (USA), Bernhard Leitner in Paris (France), Andreas Oldörp in Grafschaft (Germany), Hans Peter Kuhn in Leeds (UK) and Rolf Julius in Nantes (France) at various places of different function and atmosphere in Europe and the US. This exhibition was originally curated 2014 by Markus Steffens for the bonn hoeren festival.

The Second part »Urban Sound Art« documents the large sound installation projects created by Bonn city sound artists since 2010. Works by Sam Auinger (2010), Erwin Stache (2011), Andreas Oldörp (2012), Christina Kubisch (2013), Max Eastley (2014), Stefan Rummel (2014), Edwin van der Heide (2015) and Gordon Monahan (2016) give an overview of how diverse the sound artists’ engagement with urban situations and spaces under Bonn Hoeren is. Sound art in public spaces constitutes the centre of Bonn Hoeren’s artistic work and research area. Initiated in 2010 by the Beethoven Foundation for Art and Culture of the City of Bonn, the curated project by Carsten Seiffarth (Berlin) has been studying continuously the acoustic conditions and sonic contexts which define modern urban spaces. For that Bonn Hoeren appoints yearly one artist to be that year’s city sound artist of Bonn. And with a residency the artist realizes a new sound installation for the city. In addition, the residences include acoustic research and onsite investigations as well as scientific side events and education projects.

We installed the exhibitions at the Goethe Institut and used the time for some research in Hong Kong.
Read more about the exhibition >>>
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HALL 04 theater installation @ DAZ

In times of ‘hyperconnectivity’ the Dutch-Belgian collective TAAT (Theatre as Architecture Architecture as Theatre) takes the idea of architecture as theatre to the extreme. HALL04 is a Do-It-Together-theatre-installation that allows visitors to meet under special conditions in a large-scale wood sculpture.

The Berlin version at DAZ (11.-18. September 2016) was constructed by TAAT in cooperation with architecture students of Alanus Hochschule and theater students of Aberystwyth University under special consideration of sound as medium. We tutored parts of that process.

http://www.daz.de/de/hall-04/