The great closing concert of tuned city Brussels 2013 ma-ta-ta-bi by Akio Suzuki + Aki Onda was just released by ORAL_records Montreal. Read the conversation of Akio and Aki about this project. “Amazing clash and collaboration of two giants of Japanese Sound art and improvisation. A new duo who is there to stay for a long…. long… time ! A MUST !!!”
12th – 22nd of june 2014
in the fifth year of bonn hoeren a large FESTIVAL project will take place from the 12th to the 22nd of june 2014, in which the results of the fundamental thematic research of the first four years will be condensed and developed further both artistically and discursively. around two concentrated weekends, bonn will be transformed into a vast platform for artistic production and presentation, discussion and intermediation of sound art and music in public spaces through a variety of formats. the city-wide event will present a series of newly commissioned site-specific works by renowned sound artists and an international symposium (18.-22.6.2014) extending the theoretical and practical discourse. students of architecture, music and sound art from diverse institutions will conduct investigations in various parts of the city and develop projects and perform on-site interventions. next to a series of concerts and site-specific performances, a big city symphony with hundreds of participants will be premiered in the city center of bonn on the 20th of june.
12.11.2013 / 18 Uhr / Aula
Lecture at Hochschule für Bildende Künste, Saarbrücken
Artistic interventions in the city – methods and formats of mediation using the example of the Tuned City project (Berlin, Tallinn, Brussels).
(On Invitation of Prof. Andreas Oldörp, sound art class at HBK Saar)
Symposium: Sound and public space
30.10.2013 / 11:00 – 17:00
[…] Urban space and sound: John Grzinich will introduce Tuned City, which has been held in different cities of Europe since 2008 and in Tallinn in 2011. Mapping connections between the built environment and sound, it pays attention to sounds that we usually do not consider to be important, sounds that don’t seem “interesting” or seem to be just background noise. But once they are noticed we actually sense our surroundings differently. Besides “amplifying”, the project experiments with what kind of sounds can be added, and how we can use the city as an instrument. Besides raising the awareness of city soundscapes, it explores how other fields can use the outcomes of such projects as Tuned City, and what the sound artist’s point of view offers to urbanists, architects etc. […]
The Symposium is part of the large scale exhibition “Out of Sync. Looking Back at the History of Sound Art”
MUTEK_LAB – CREATIVITY IN THE PUBLIC SPACE
international symposium in the frame of MUTEK_MX at Centro de Cultura Digital, Mexico City
Monday 30th Sept 2013
SOUND & SPACE/CITY/URBAN ENVIRONMENT 3.30 – 3.45pm
Introduction by Carsten Stabenow, initiator and artistic director, Tuned City, Berlin
CASE STUDY 3: TUNED CITY (3.45-4.15pm)
Presentation of the Tuned City platform & projects – the relation between sound & space/city/urban environment, the research and methods of mediation, how to translate to an audience and into the design of public policies.
PANEL 1: Architecture, sound & new technologies in the future city (4.15-5.30pm)
Building audiences, mediating, mixing fields, and blurring the limits of the art fields. How to collaborate with local institutions, with their infrastructures, to try to make things change from the very inside?
Modetator: Carsten Stabenow, Tuned City, Berlin / Speakers: Martin Craciun, Soco Festival, University Montevideo / Abel Perles, Productora, Mexico DF / Natalia Britos, Museo universitario el Chopo
A first documentation with fotos, reports, interviews and recordings of all lectures is online now >>>
You can find a first selection of images in our flickr-pool >>>
Jonathan Reus & Ruth Timmermans wrote an extended report for GONZO (circus) >>>
foto © Will Schrimshaw
foto © Mark Stanley
“What an ambitious festival – 3 days, 47 artists, across 22 venues – enough to make any project manager shudder!” read the report by Mark Stanley here >>>
Felicity Ford and Valeria Merlini explored the sonorities of the city focusing on the sounds of the festival and how they intersect with previously documented sounds of the city itself. During the festival aural “refreshers” of the previous day were played at the start of each subsequent day.
27. June 2013 – opening
28. June 2013 – first conference day
29. June 2013 – second conference day
30. June 2013 – third conference day
A) Symposium: Listening Between a This and a That
June 28th 2013 – Relational Noise
Missing Persons by Hillel Schwartz (US)
Stockholm meets Brussels Mattin (E/BASK) in conversation with Kobe Matthys (BE)
Between Speeds: Sirens, railway shocks, street noises… by Shelley Trower (UK)
Hearing-Things by Christoph Cox (US)
June 29th 2013 – Situational Listening
Walkscapes by Francesco Careri (IT)
The art of sound walks by Joost Fonteyne (BE)
Shared Space by Brandon LaBelle (US)
June 30th 2013 – Operative Ambience
Aesthetic of Atmospheres by Gernot Böhme (D)
Earworm by Timothy Morton (US)
Urban Ambiances as Sensory Lifeforms by Jean-Paul Thibaud (F)
C) radio aporee – fmwalks/bx
by Udo Noll (D)
During Tuned City Brussels, Udo Noll followed the course of the festival with his experimental radio device bx (bROADCAST BOx), a hybrid assembly of tools and techniques for entering and exploring different media spaces more or less simultaneously and delivered a daily sound stream in between documentation and artistic radio practice, embedded into the city’s urban atmospheres. A documentation is online on his blog and the audio archives can be found here on archive.org >>>
is born 1985 in Karlsruhe and studies Aesthetics and Art History and Media Studies at the Braunschweig University of Art (HBK) since 2007.
She is focussing on contemporary art in the field of performance, sound art and public interventions and on art mediaton.
Since 2012, she is organizing and curating exhibitions as an active member of the art society Kunstverein Jahnstrasse e.V., a young institution for contemporary art in Braunschweig.
Exhibition „I Have a Dream“, secondhome projects, Berlin
Exhibition „It´s all about music“, HBK Gallery, Braunschweig
Art Education project „Artists in School“, CJD Christophorusschool, Braunschweig
The public intervention Liaison evokes the question about our personal behaviour towards urban soundscapes. It provides a nomadic space within the city to perceive the acoustics from an unknown perspective and it labels distinctive spots for sound in urban space as alternative points of interest.
Several Tents will be set up in the city centre of Brussels at locations chosen by their characteristic and specific urban sound atmosphere. They will be accessible for the visitors and labeled in reference to the Festival TUNED CITY with a distinctive pictogram.
Inside each tent the visitor will find a site-specific note with simple listening instructions. The tents are not anchored firmly in the ground to maintain their mobility and to enable visitors to interact with them.
The tents offer a secluded place for the visitors within the public space to experience the surrounding sounds in an intimate situation. They both channel the focus towards one moment of urban soundscape and question the valuation of sounds in terms of harmony.
Labeled and distributed in urban space as one part of the festival TUNED CITY, the tents turn into an iconic sign. They communicate the idea of exploring and discovering sounds within the „urban jungle“ and sanitize the public image of street
noises eventually. This intervention questions our notions, what sounds are worth listening to and opens up the possibility of a change of perspective.
by Sabine Sellig (D)
sound installation with interaction at the city.
no determined time frame and place megaphone, millimeter paper
The first sound I heard in Brussels was the traffic lights sound, the monotonous ticking on occasion faster or slower, swelling or ebbing away.
Seen in an abstract way, these 24 hours periodic appearing, penetrative signals symbolise regulations, unities, certain frames and pattern.
The „red“ / „green“ phase act itself as loops, of course together,too.
The periodic and circular feature is what you can call my main interest; the little pips in progression are absolutely engrossing: if you once noticed them you‘ll never achieve to dissociate yourself again.
Concerning my artistic way of working with recorded audio material:I am always dealing with little loops in combination.
Typically I search for little rhytmic conspicuous or characteristic events in my collected material, cut these events out and arrange them in a multi-laned new way…
Sabine Sellig is born 1990 in Bühl, Germany.
since 2009 Arts at the HBK Braunschweig, Germany
in the first instance with the emphasis on „Arts in Action“ with Christoph Schlingensief;?since 2010 Sound art with Ulrich Eller
2013 „Mystique“ – Kulturanker e.V. – Magdeburg
„Nacht und Schimmel – Kunst und Käse“ – Galerie einRaum – Braunschweig
„I have a Dream“ – secondhome projects – Berlin-Wedding
2012 „ICHICHICH“- Raumlabor Braunschweig
„Romantik 2.0“- Kulturanker e.V.- Magdeburg
„Funkausstellung“ (Pit Noack) – Galeria Lunar – Hannover?2011 „GAP“- Raumlabor Braunschweig?2010 Mitarbeit „VIA INTOLLERANZA II“(C. Schlingensief n. L.Nono) – Berlin
„Sysiphos-Projekt“- Ateliers Jahnstrasse – Braunschweig
appearance at Tuned City
Brussels / Student Exhibition 27–29. June 2013
Student presentations @ Galerie Rivoli map >>>
opening June 27, 14:00h
opening times: June 27, 14:00 – 18:00h, June 29, 12:00 – 19:00h
Working with Brussels art schools has been particularly important in the context of Tuned City Brussels. Sint Lucas Architectuur (“Resonances of a blind spot”), Erasmus Hogeschool RITS/Radio (sound atelier), Sint Lukas Transmedia (“Inner/Outer”) and La Cambre (ENSAV) option Espace Urbain (“Inouïr Space Exploration”) worked in parallel threads on semester projects in the first half of 2013. Four public workshops in relation to the festival topics were led by external tutors.
Q-O2 hosted two international workshop groups from the Masters of Artistic Research program (MAR) from the Royal Academy of Art (KABK), The Hague, Netherlands and The Sound Art Class from The Braunschweig University of Art (HBK), Germany working on the topics ‘Modes of Listening’ and ‘Interpretation of Noise’.
Results of the semester projects and the workshops will be shown at Galerie Rivoli – a very charming 70s building in the south of Brussels.
Séverine Champeaux – Boxlife –
Sofie De Schrijver – Polanoise
Eva De Roo and Maarten Coosemans – De Opera Zingt
Lucas Derycke and Misha Koole – Achter De Stilte
Joke Sluydts – City Beat
Students Braunschweig University of Arts (D)
Students Sint-Lucas Architectuur
Yazgi Demirbas – variations of acoustic hats
Louise Frateur – rooftops on bxl
Lyssa Giots – arrange to build
Charlotte Legouhy – building with the void
Liesbet Neesen – try to make the invisible visible
Ligia Papoi – the voice of the microcosmos
Rina Pohlmann – boundary zones
Birgit Sterckx – film-travel experience into a house
Students St. Lukas Transmedia
Amanda Andersen – The Traveling Backrest
Petar Kufner – The void between visual and aural
Patrick Farmer is an artist currently living in Oxford. Often highlighting discarded means, he attempts to make a supposed nothing of performance audible with the help of prepared drums, acoustic turntable, electronics or natural objects. He has performed at the National Galleriet in Stockholm, The Red Room
in Baltimore and the I.c.a. in London and has been working together with – amongst others – Ryu Hankil, Will Guthrie, Robert Curgenven and Dominic Lash. Patrick Farmer has published recordings with labels as Cathnor, Another Timbre, and Psykick Dancehall and currently co-runs the Compost and Height label.
appearance at Tuned City
Brussels / espace intervallaire / 28. June 2013
Listen to the new edition of radio emission framework:afield by felicity ford and valeria merlini in collaboration with students from RITS school of arts.
During the workshops in March, Felicity Ford and Valeria Merlini worked with students from R.I.T.S to explore the sonorities of Brussels in advance of the main Tuned City Festival. This workshop involved exploring the sites where Tuned City will take place, and practising a variety of listening techniques adapted from R Murray Schafer, Pauline Oliveros and CRESSON. The workshop emphasis lay on establishing an imaginative and appreciative listening-focussed investigation of the city, and the outcome was a series of experimental shorts, reflecting the students’ engagement with experimental documentation techniques. This work celebrated some of the sounds of Brussels in advance of the festival in June. This first workshop in March also lead to the production of a radio show for framework:afield, which celebrates students’ sonic discoveries of Brussels and conveys an ephemeral impression of the city in sound and which will air as part of the framework:afield broadcast schedule on Friday, 21st June, 01:00, Brussels, on Radio Campus 92.1fm.
Brussels has a particular sonic identity. Felicity Ford and Valeria Merlini explored the sonorities of the city. They focused on both interior and exterior spaces, individual versus collective experiences and a range of possibilities to hear a city. Listening Back and Forth in Brussels is envisaged as a diffusion concert performance. It will offer the audience some sense of the aural character of the largest urban area in Belgium. The
audience is invited to spread out and relax for an optimal listening experience full of sometimes stunning, at times familiar or completely unexpected sonic impressions.
walk by Stalker/ON
Stalker proposes experimental strategies for intervention. The methodology is rooted in exploratory spatial practices, using playful, convivial and interactive tactics that relate to an environment, its inhabitants and their local culture. Practices and methods are conceived to catalyze and develop evolutionary and self-organizing processes. The traces of interventions constitute a sensible mapping on the complexity and dynamics of the territory. In addition, the applied strategies employ unedited forms of cooperative documentation to contribute and promote a better self-awareness of the community among locals. In the Brussels context, the walk of Stalker will be guided by “unusual” guides. Specific target groups will accompany the audience to see the city through their gazes.
appearance at Tuned City
Brussels / Situational listening – 29. June 2013
Sybille Deligne is currently studying in Espace Urbain at La Cambre in Brussels. Her works show an interest in both the limits of our perceptions and those of the space. For this purpose she applies and combines a wide range of mediums such as video, installation and sculpture. Passing the thresholds of the sensible with installations appealing from the visible to the palpable and the audible, her approach strongly questions and investigates the notion of perception.
appearance at Tuned City
Brussels / Les Porteurs / 29. June 2013
David Zagari was trained in contemporary dance at the Conservatoire National Supérieur de Musique et de Danse de Lyon. He collaborated with various international companies such as Philippe Saire (CH), Jorge Garcia (BR), Willy Dorner (AU) or Jemima Hoadley (UK). As from 2008 he started to work with live performances and collaborated with Annie Vigier and Franck Apertet (FR) as well as Alessandra Coppola. In addition, he obtained a postmaster in performative arts in a.pass with a research on smells. His work currently questions aspects of territory, identity and the frames of (re)presentation within the context of the “urban space”.
appearance at Tuned City
Brussels / Les Porteurs / 29. June 2013
Born 1970. Artist. 1991 – 1995 MA fine arts at Städelschule für Bildende Künste DE. In 1992 founded Agency, an agency for quasi creations. He conducts a long term research on the practices of reapropriation and the public domain. Lives in Brussels.
appearance at Tuned City
Brussels / Noise & Gentrification / 28. June 2013